There's a challenge going around on Facebook: "name 10 books that have stuck with you." Once I made my own list, I really wanted to say
why these books have had such an impact. Here goes, in no particular order:
1. The Lion, the Witch and the Wardrobe (C.S. Lewis)
This was my first introduction to fantasy. I was four years old. My favorite memory of my grandfather is the sound of his gravelly voice as he read this book out loud to us kids. My imagination ran wild, and it's never stopped running.
2. Use Case Driven Object Modeling With UML - A Practical Approach (Rosenberg & Scott)
This book arrived right when I needed it. The inimitable Meilir Paige-Jones had just taught me how--and why--to do use case and data modeling using the Universal Modeling Language (UML). Suddenly, relationships, processes and even the meanings of words could be diagrammed! This
very practical book kept those ideas handy, while warning me (over and over!) that analysis was neither an end in itself nor a reasonable excuse for delaying the project.
3. The Fellowship of the Ring (J.R.R. Tolkien)
I'd heard the praises of Tolkien extolled for years before I finally read his books. This one still stands out as having the greatest influence on my writing. When I started my own fantasy novel, it was a LONG time before I could finally stop imitating the true "Lord of the Rings" and find my own voice. This opening book in the trilogy is still the standard by which I measure fantasy writing.
4. The State of the Presidency (Cronin)
I don't remember who gave me a copy of this relatively small book, but it completely changed my understanding of government. Cronin's assessment of how different U.S. presidents viewed and handled the demands of the Oval Office gave me food for thought. It was sort of my transition to political "solid food," stuff I had to chew on awhile before digesting it. After reading this book, I started thinking more for myself, and asking a lot more questions.
5. Beyond Backpacking (Ray Jardeen)
Appalachian Trail and PCT through-hiker Jardeen rattled my preconceptions of what it takes to get from Point A to Point B on foot. I discovered I'd made a lot of assumptions based on impression, rather than hard experience. Opinionated and colorful, Jardeen helped me rethink my approach to gear, food and, especially, footwear.
6. Roadside Geology of Washington/Oregon/California (3 books)
(Alt & Hyndman)
The earth moves! Tectonic plates slip over and under each other, sub-continents slam into continents, granite melts its way into basalt and continues to rise long after cooling, and massive glacial ice dams crack and give way, sending a 300-foot high wall of water dashing across the Northwest, scraping away at everything in its path until it barrels down the Columbia Gorge and gushes out into the Pacific! Volcanoes! Andesite! Gneiss! Schist! Alt and Hyndman map out and explain in plain language some of the awesome geology which is observable from the road in all three Pacific states.
7. Cradle to Cradle (McDonough & Braungart)
Tom Lambert's recommendation of this book sent me on a journey that will never stop. An architect and a chemist, talk about how there is no "away" when we throw things away. We say "cradle to grave," but we need to think "cradle to cradle." They distinguish true "recycling" from our usual "downcycling." They posit that we don't have a production problem: we have a design problem. What if all of our systems, living spaces and products were designed to parallel the characteristics and functions of a tree? In short: "Take the toxins out of the system; waste is food; then produce, produce, produce!"
8. Norman Rockwell, Illustrator (Guptill, et al.)
Of all the books in my parents' house when I grew up, this was the one I looked at the most, I think. Rockwell's visual storytelling ability, his meticulous draftsmanship, and his love of character greatly influenced my art. While he was the consummate portrait artist, his ability to include accurate environmental details was astounding. My subject matter is different, but I still strive to incorporate such craftsmanship.
9. Let Your Life Speak (Palmer)
Parker J. Palmer quietly talks about what it really means to be authentic. In a world that values status, acquisitions and achievements, Palmer ruminates on what it means to follow an original path. I love his story about stewing over whether or not he should take a position as president of a college. His Quaker group listened to his dilemma until he was done speaking. After a time of quiet, someone asked why he wanted the job. Palmer realized that what he really wanted was to see the word "President" under his picture. After some more quiet, the person asked, "Is there an easier way to do that?"
10. Complete Poems and Plays (T.S. Eliot)
This was my very first college textbook. The class was taught by the wonderful Dr. McCreery, an elegant woman, articulate and erudite, who spoke and acted with the grace of another era, and yet somehow managed to be unpretentious. Who better to introduce me to the poet who would shape my understanding of the power of words? I wrote reams of thoughtful-yet-blathering, free-form verse, much of it morose, most of it hardly readable even at the time, but the experience was great practice. By exploring T.S. Eliot, Dr. McCreery showed me how good poetry could be appreciated on the first reading, and yet only reveal its innermost secrets to those who follow the poet through the same literary landscape that informed the writing. My metaphors may never be as deep, but I thank Mr. Eliot for giving me so many valuable examples, just out of reach.
Bonus book:
11. The Pale Green Pants and Other Stories (Dr. Seuss)
Our family had a recording of someone reading this book back when I was in Junior High. I wish I knew who it was--he was outstanding! I used to play the tape on the stereo while I lip-synced and mimed the stories. I'll still perform "The Pale Green Pants" from memory now, sometimes despite entreaties to desist. Second only to T.S. Eliot, Dr. T.S. Geisel has also had a profound influence on my poetry. He never failed to be both creative and strictly true to form. To me, that's important, and Dr. Seuss showed it was possible--even if words had to be made up. You see, I firmly believe that...
Rhyming and meter can always be done well,
Provided the poem is truly begun well;
And endings, you know, should be given a twist--
A remarkable sleight-of-hand flick of the wrist!--
And leave you, dear reader, in breathless delight.
(Well, that's what I
hope for when starting to write.)
Yet, often I find that the poet is lazy.
He won't pay attention; his meaning is hazy.
The rhyming, the timing, the rhythm is wrong.
You wouldn't--you COULDN'T--put that in a song,
For no one would sing it! I mean, who would want to
When so many words are stacked over and onto
Each other--Oh, brother! I've done it again.
I guess I'll stop writing and put down my pen.
(MIC - September, 2014)
